Skateboarding
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Throughout the years, Shepard has designed many skateboards. Being a skater himself, he has always had a connection the activity. Shepard started skating in 1984 when professional skateboarders were really popular and has said he really looked up to them, not just for their skating abilities, but for their culture and music alike. Skateboarding is what introduced him to punk rock, which, in turn, is what sparked Shepard's thinking on a more political level.

In 1987, Shepard was riding a board with a Natas graphic on it. It was on this board that he first learned to boardslide rails; because of this, the board really stuck with him, and in 2004 Shepard did a reinterpretation of this graphic.

Now that Shepard has made a name for himself in the art world and now designs board graphics of his own, he feels as though his involvement in skateboarding has come full-circle. In 2005, Shepard worked with Plan B to design a board and print of each of their team members.


Images from Supply and Demand:

Sb gas.jpg
Sb bridge.jpg
Sb giant2.jpg
Sb giantcity.jpg
Sb giant.jpg
Sb stencil.jpg
Sb airplane.jpg
Sb jmj.jpg
Sb bringnoise.jpg
Sb worker.jpg
Sb zapata.jpg
Sb obeythegiant.jpg
Sb factory.jpg
Sb bombs.jpg
Sb obey.jpg
Sb giantarrow.jpg
Sb sid.jpg
Sb davis.jpg

Shepard Fairey Plan B skateboards:

Planbdanny.jpg
Planbdarrel.jpg
Planbpaul.jpg
Planbryan.jpg
Planbpj.jpg
Planbcolin.jpg

Other Shepard Fairey skateboards:

Sb eastcoast.jpg
RipperSkateboard.jpg
Skateboard.jpg
Psycho Posse Propaganda deck.jpg
Ripper board for monkey.jpg
Hessenmob fairey deck.jpg

No Shepard Fairey-designed skateboard would be complete without the Obey Destructo trucks:

Obey Destructo Trucks.jpg

And don't forget your artist collaboration helmet, featuring Shepard Fairey, Jeremy Fish, and Lori D.

Artist collab. helmet.jpg
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This page contains an image or images of drawings, paintings, photographs, prints, or other two-dimensional works of art, for which the copyright is presumably owned by either the artist who produced the image, the person who commissioned the work, or the heirs thereof. It is believed that the use of low-resolution images of works of art for critical commentary on the work in question, the artistic genre or technique of the work of art, or the school to which the artist belongs on the English-language website thegiant.org, hosted on servers in the United States, qualifies as fair use under United States copyright law.