http://thegiant.org/wiki/api.php?action=feedcontributions&user=Fribhey&feedformat=atomThe Giant: The Definitive Obey Giant Site - User contributions [en]2024-03-29T11:17:37ZUser contributionsMediaWiki 1.19.15http://thegiant.org/wiki/index.php/Slick_New_Wave_Large_FormatSlick New Wave Large Format2014-05-09T21:04:04Z<p>Fribhey: New page: {{Print | SlickWaveLG.jpg | Slick New Wave Large Format | 2014 | 60 | ''none'' | 37x48.5 | ''unknown'' | Screen Print |From [http://www.obeygiant.com Obeygiant.com]: I enjoy doing illustr...</p>
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<div>{{Print | SlickWaveLG.jpg | Slick New Wave Large Format | 2014 | 60 | ''none'' | 37x48.5 | ''unknown'' | Screen Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
I enjoy doing illustrations of water with its hypnotic ripples and reflections. There’s oil in this water, which mixes ok in an illustration, but not so well in real life. I want future generations to inhabit a livable planet, so I will be donating a portion of the proceeds from this print to the NRDC Natural Resources Defense Council. They are concerned with changing policy to achieve environmental and energy solutions, not just putting a band-aid on existing problems. Check them out at nrdc.org<br />
-Shepard<br />
<br />
37 inches x 48.5 inches. Large Format Screen Print. Signed and Numbered edition of 60. $750 includes Certificate of Authenticity. Limit 1 per person/household.<br />
<br />
Release date 3/20/2014 at 10am and 4pm in Large Format Prints.<br />
<br />
|[[Slick New Wave]]| 03/20/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:SlickWaveLG.jpgFile:SlickWaveLG.jpg2014-05-09T21:03:34Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/Peace_%26_Justice_Woman_Large_FormatPeace & Justice Woman Large Format2014-05-09T21:01:29Z<p>Fribhey: New page: {{Print | peace-and-justice-woman-2.jpg | Peace & Justice Woman Large Format | 2013 | 50 | ''none'' | 36x48 | 100% Cotton Rag Archival Paper | Screen Print |From [http://www.obeygiant.com ...</p>
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<div>{{Print | peace-and-justice-woman-2.jpg | Peace & Justice Woman Large Format | 2013 | 50 | ''none'' | 36x48 | 100% Cotton Rag Archival Paper | Screen Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
36 x 48 inch screen print with deckled edges. Signed and numbered edition of 50. 3 color with 1 varnish on 100% Cotton Rag Archival Paper. $800. Limit 1 per person/household. Comes with Certificate of Authenticity.<br />
<br />
Release date: 6/18/2013 at 10am PST in the Large Format Prints section of the store.<br />
<br />
|[[Peace & Justice Woman]]| 06/18/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:Peace-and-justice-woman-2.jpgFile:Peace-and-justice-woman-2.jpg2014-05-09T21:00:48Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/Peace_and_Justice_WomanPeace and Justice Woman2014-05-09T20:59:32Z<p>Fribhey: Peace and Justice Woman moved to Peace & Justice Woman: title change</p>
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<div>#REDIRECT [[Peace & Justice Woman]]</div>Fribheyhttp://thegiant.org/wiki/index.php/Peace_%26_Justice_WomanPeace & Justice Woman2014-05-09T20:59:32Z<p>Fribhey: Peace and Justice Woman moved to Peace & Justice Woman: title change</p>
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<div>{{Print | Peaceandjusticewoman.jpg | Peace and Justice Woman | 2013 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print ||| 04/18/2013| |}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_OffsetImmigration Reform Girl Offset2014-05-09T20:57:19Z<p>Fribhey: </p>
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<div>{{Print | we-are-human-girl-english1.jpg |Immigration Reform Girl Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_Spanish_OffsetImmigration Reform Girl Spanish Offset2014-05-09T20:57:13Z<p>Fribhey: </p>
<hr />
<div>{{Print | we-are-human-girl-spanish1.jpg |Immigration Reform Girl Spanish Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/We_Are_Humans_Protest_OffsetWe Are Humans Protest Offset2014-05-09T20:56:55Z<p>Fribhey: </p>
<hr />
<div>{{Print | we-are-human-guy-fist-bilingual.jpg |Immigration Reform Guy With Fist Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/We_Are_Humans_Protest_OffsetWe Are Humans Protest Offset2014-05-09T20:52:27Z<p>Fribhey: </p>
<hr />
<div>{{Print | we-are-human-guy-fist-bilingual.jpg |Immigration Reform Guy With Fist Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/We_Are_Humans_ProtestWe Are Humans Protest2014-05-09T20:52:06Z<p>Fribhey: </p>
<hr />
<div>{{Print | Wearehumansprotest.jpg | We Are Humans Protest | 2009 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print |These prints were for sale through [http://cimarrones.org/ cimarrones.org], which redirected the user to the [http://www.obeygiant.com/store/ Obey Giant store].<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
Immigration Reform Now!<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before "Americans" were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br><br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA: <br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day. <br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves. <br />
<br />
¡La Lucha Sigue!<br><br />
Hopefully see you in the streets.<br><br />
-Zack de la Rocha|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest Offset]]| 04/30/2009||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_Spanish_OffsetImmigration Reform Girl Spanish Offset2014-05-09T20:51:42Z<p>Fribhey: </p>
<hr />
<div>{{Print | we-are-human-girl-spanish1.jpg |Immigration Reform Girl Spanish Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_OffsetImmigration Reform Girl Offset2014-05-09T20:50:56Z<p>Fribhey: </p>
<hr />
<div>{{Print | we-are-human-girl-english1.jpg |Immigration Reform Girl Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_GirlImmigration Reform Girl2014-05-09T20:50:36Z<p>Fribhey: </p>
<hr />
<div>{{Print | Immigrationreformgirl.jpg | Immigration Reform Girl | 2009 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print |These prints were for sale through [http://cimarrones.org/ cimarrones.org], which redirected the user to the [http://www.obeygiant.com/store/ Obey Giant store].<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
Immigration Reform Now!<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before "Americans" were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br><br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA: <br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day. <br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves. <br />
<br />
¡La Lucha Sigue!<br><br />
Hopefully see you in the streets.<br><br />
-Zack de la Rocha|[[Alto Arizona]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]| 04/30/2009||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Alto_ArizonaAlto Arizona2014-05-09T20:50:16Z<p>Fribhey: </p>
<hr />
<div>{{Print | Altoarizona.jpg | Alto Arizona | 2010 | 300 | ''none'' | 18x24 | ''unknown'' | Screen Print |This print is signed by both Shepard Fairey and Ernesto Yerena.<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
First and foremost on behalf of the Alto Arizona/ NDLON/ Puente Arizona family I would like to greatly thank all of the hundreds of artists who donated imagery to the Alto Arizona Art Campaign launched this past April. We appreciate your generosity, self determination and commitment to the struggle we face in Arizona battling SB1070, 287G, Joe Arpaio, Russel Pearce, Jan Brewer and HATE. As of now we are working on the next chapter of this campaign which will include a new website and productions of more limited edition prints to be up for sale in the future. The funds generated from the sales of this print (Alto Arizona Girl) will go directly to hire a campaign manager to further organize and take this campaign to the next chapter. We would also like to give a BIG thanks to our friend Shepard Fairey and his crew (Dan, Tina, Kyle, Mike, Olivia, Jen, Jaspr, Debbie) who have been very helpful in the sales and facilitating of this campaign, your help and dedication has been a great help in our efforts for dignity in Arizona. Thanks- Ernesto<br />
<br />
In the last year, Arizona's immigrant and Latino community organized to defend themselves and to uphold cherished national values. They have marched, they have held sit-in's, they have been arrested, and their efforts have captivated the attention of the nation. Critical to the effort in Arizona has been the voice of the artistic community. Our colleague, Ernesto Yerena inspired literally hundreds of artists- musicians, graphic designers, street artists, and others to donate artwork to the cause. The body of work is an expression of liberation and was designed to lift the voices of a community that was supposed to be silenced by SB1070. Shepard has teamed up with Ernesto once again with the releasing of the Alto Arizona print. The print uses a remixed image from the original collaboration for Immigration Reform campaign of last year. A collection of other art is also available at, [http://altoarizona.com/ AltoArizona.com].<br />
<br />
Although most sections of SB 1070 were temporarily blocked while the federal court challenge continues, other sections- particularly those targeting day laborers- were allowed to go into effect. Meanwhile, Arizona continues to be a laboratory for right wing extremism, and communities of color remain the targets. Racist demagogues have exploited economic uncertainty to scapegoat of immigrants and violate the rights of Latinos. Immigrants continue to live in fear and in anger. But between those two sentiments, there's courage: courage to resist peacefully, courage to overcome, courage to say, "no!" to hatred fear, and even courage to love the haters.<br />
<br />
The people of Arizona continue to need our support. We need others to add their voices to a growing call for justice, and we need additional resources to help organize the community. Until SB 1070 is defeated in its entirety, our partners in Arizona will continue to call on all people from all walks of life to stand on the side of migrant families, on the side of justice. One way to help is to contribute your artwork to the AltoArizona site. Another way to help is by acquiring the Alto Arizona poster.|[[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]| 10/07/2010| |}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_SpanishImmigration Reform Girl Spanish2014-05-09T20:49:57Z<p>Fribhey: </p>
<hr />
<div>{{Print | Immigrationreformgirlspanish.jpg | Immigration Reform Girl Spanish | 2009 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print |These prints were for sale through [http://cimarrones.org/ cimarrones.org], which redirected the user to the [http://www.obeygiant.com/store/ Obey Giant store].<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
Immigration Reform Now!<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before "Americans" were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br><br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA: <br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day. <br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves. <br />
<br />
¡La Lucha Sigue!<br><br />
Hopefully see you in the streets.<br><br />
-Zack de la Rocha|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]| 04/30/2009||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_SpanishImmigration Reform Girl Spanish2014-05-09T20:48:51Z<p>Fribhey: </p>
<hr />
<div>{{Print | Immigrationreformgirlspanish.jpg | Immigration Reform Girl Spanish | 2009 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print |These prints were for sale through [http://cimarrones.org/ cimarrones.org], which redirected the user to the [http://www.obeygiant.com/store/ Obey Giant store].<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
Immigration Reform Now!<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before "Americans" were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br><br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA: <br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day. <br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves. <br />
<br />
¡La Lucha Sigue!<br><br />
Hopefully see you in the streets.<br><br />
-Zack de la Rocha|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offset]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]| 04/30/2009||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_SpanishImmigration Reform Girl Spanish2014-05-09T20:48:18Z<p>Fribhey: </p>
<hr />
<div>{{Print | Immigrationreformgirlspanish.jpg | Immigration Reform Girl Spanish | 2009 | 450 | ''none'' | 18x24 | ''unknown'' | Screen Print |These prints were for sale through [http://cimarrones.org/ cimarrones.org], which redirected the user to the [http://www.obeygiant.com/store/ Obey Giant store].<br />
<br />
From [http://www.obeygiant.com/ Obeygiant.com]:<br />
<br />
Immigration Reform Now!<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before "Americans" were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br><br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA: <br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day. <br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves. <br />
<br />
¡La Lucha Sigue!<br><br />
Hopefully see you in the streets.<br><br />
-Zack de la Rocha|[[Alto Arizona]] - [[Immigration Reform Girl]] - [[Immigration Reform Girl Offset]] - [[Immigration Reform Girl Spanish]] - [[Immigration Reform Girl Spanish Offsett]] - [[We Are Humans Protest]] - [[We Are Humans Protest Offset]]| 04/30/2009||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Guy_With_Fist_OffsetImmigration Reform Guy With Fist Offset2014-05-09T20:47:08Z<p>Fribhey: Immigration Reform Guy With Fist Offset moved to We Are Humans Protest Offset: title change</p>
<hr />
<div>#REDIRECT [[We Are Humans Protest Offset]]</div>Fribheyhttp://thegiant.org/wiki/index.php/We_Are_Humans_Protest_OffsetWe Are Humans Protest Offset2014-05-09T20:47:08Z<p>Fribhey: Immigration Reform Guy With Fist Offset moved to We Are Humans Protest Offset: title change</p>
<hr />
<div>{{Print | we-are-human-guy-fist-bilingual.jpg |Immigration Reform Guy With Fist Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
||10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/We_Are_Humans_Protest_OffsetWe Are Humans Protest Offset2014-05-09T20:45:41Z<p>Fribhey: New page: {{Print | we-are-human-guy-fist-bilingual.jpg |Immigration Reform Guy With Fist Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph | 24 x 35″ Offse...</p>
<hr />
<div>{{Print | we-are-human-guy-fist-bilingual.jpg |Immigration Reform Guy With Fist Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
||10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_OffsetImmigration Reform Girl Offset2014-05-09T20:45:07Z<p>Fribhey: New page: {{Print | we-are-human-girl-english1.jpg |Immigration Reform Girl Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph | 24 x 35″ Offset print. Signe...</p>
<hr />
<div>{{Print | we-are-human-girl-english1.jpg |Immigration Reform Girl Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Immigration Reform Girl]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Immigration_Reform_Girl_Spanish_OffsetImmigration Reform Girl Spanish Offset2014-05-09T20:44:31Z<p>Fribhey: New page: {{Print | we-are-human-girl-spanish1.jpg |Immigration Reform Girl Spanish Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph | 24 x 35″ Offset print...</p>
<hr />
<div>{{Print | we-are-human-girl-spanish1.jpg |Immigration Reform Girl Spanish Offset | 2013 | open edition | ''none'' | 24x35 | Speckletone paper | Offset Lithograph |<br />
24 x 35″ Offset print. Signed by Shepard Fairey and Ernesto Yerena. Open edition (not numbered)<br />
<br />
$35<br />
<br />
I am an immigrant. My ancestors left England and Scotland to come to this land to create a better life for themselves and their families. America is a land of immigrants. Ironically, the people’s who this land was inhabited by before “Americans” were Native Americans North and South American descent. I bring up this history not to stir up controversy or animosity, but to simply point out the complexity of who is entitled to live here. Something that is not complex and should not be controversial is the right of all humans to be treated like humans. People coming to America for the same reasons our ancestors did deserve human rights. The United States was created by immigrants and now our country needs immigration reform. I collaborated on this project with my co-worker Ernesto Yerena who shot the photos and helped with the graphics. Zack De La Rocha and [http://cimarrones.org/ Producciones Cimarron] provided input and support. All the proceeds from these posters go to creating materials for the May Day marches and donations for immigration reform organizations. Thanks for supporting human rights!<br />
-Shepard<br />
<br />
MESSAGE FROM ZACK DE LA ROCHA:<br />
<br />
There is nothing criminal about a families search for dignified work and housing. There is nothing illegal about the need to alleviate hunger and find peace and security for people in their communities, or find adequate health care. In my mind these are rights that are universal, transnational, and non negotiable. Displaced by corporate globalization and war, the more than 12 million undocumented workers within the U.S. in search of those rights are not only denied the fruits of their labor, but are beaten away from the tree of enormous wealth and services that their sweat has watered for generations.<br />
<br />
No amount of hate filled rhetoric, unlawful racist detentions, or tear gas can mask these essential truths that were made so clear by the millions workers themselves. People whose courage in the face of repression, and the potential loss of jobs , continue to pour out from the shadows and into the streets. Not only to heroically defend their rights and dignity, but have also revitalized the historical relevance of May Day, in which migrant workers of years past fought and died for the rights of all workers as they helped established the eight hour work day.<br />
<br />
Since the movement lead by the undocumented has re-emerged, the inaction and silence from congress has become deafening. Though the neo-fascist seinsbrenner bill was for the most part defeated, the inability of congress to draft a new more humane and sensible legislative solution has left an extremely repressive and violent vacuum. Most notably the arrogant abuse of power exemplified by Arizona sheriff Joe Arpaio and his deputized vigilantes. His shame full application of the Homeland Security Departments ill conceived 287g agreements have forced entire communities of workers in Maricopa county to live in constant states fear and terror.<br />
<br />
This series of prints designed by Shepard Fairey and Ernesto Yerena originated from photographs taken during the historic 2006 may day march and to me reflect some of that determination and dignity that is driving this most important assertion of workers rights in recent history. I want to thank both of them for they’re work thoughout the years. I also want to thank Marco Amador from Produciones Cimarron for his work and consultation on the project and for his work along side the communities themselves.<br />
<br />
¡La Lucha Sigue!<br />
Hopefully see you in the streets.<br />
-Zack de la Rocha<br />
<br />
The continual persecution and exploitation of immigrants continues to grow in the United States of America. Anti-immigrant laws like Arizona’s SB1070 and national initiatives like Secure Communities and the 287(g) program have set this country back 60 years to a civil rights crisis.<br />
Hate crimes and racial hate groups are on the rise targeting latinos and immigrants, blaming these communities for the ales of society. On May 1st 2010 the voices of this community will be heard once again throughout this country denouncing the anti-immigrant sentiments. The purpose of these images and prints are to gain awareness and action to help change and improve immigration policy and perceptions. All the proceeds from these prints will go towards community based projects. Immigration Reform prints are still available on OBEYGIANT.com.<br />
<br />
<br />
|[[Immigration Reform Girl Immigration Reform Girl Spanish]]|10/29/2013|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:We-are-human-girl-english1.jpgFile:We-are-human-girl-english1.jpg2014-05-09T20:44:01Z<p>Fribhey: </p>
<hr />
<div></div>Fribheyhttp://thegiant.org/wiki/index.php/File:We-are-human-girl-spanish1.jpgFile:We-are-human-girl-spanish1.jpg2014-05-09T20:43:52Z<p>Fribhey: </p>
<hr />
<div></div>Fribheyhttp://thegiant.org/wiki/index.php/File:We-are-human-guy-fist-bilingual.jpgFile:We-are-human-guy-fist-bilingual.jpg2014-05-09T20:43:43Z<p>Fribhey: </p>
<hr />
<div></div>Fribheyhttp://thegiant.org/wiki/index.php/MediaWiki:SidebarMediaWiki:Sidebar2014-05-09T16:17:23Z<p>Fribhey: </p>
<hr />
<div>*TheGiant.Org<br />
**Category:Prints|Prints<br />
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** http://www.asmallorange.com/extras/donate/?id=10186|Donations + Tips</div>Fribheyhttp://thegiant.org/wiki/index.php/MediaWiki:SidebarMediaWiki:Sidebar2014-05-09T16:15:04Z<p>Fribhey: </p>
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** http://www.asmallorange.com/extras/donate/?id=10186|Donations + Tips</div>Fribheyhttp://thegiant.org/wiki/index.php/MediaWiki:SidebarMediaWiki:Sidebar2014-05-09T16:09:30Z<p>Fribhey: </p>
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** randompage-url|randompage</div>Fribheyhttp://thegiant.org/wiki/index.php/MediaWiki:SidebarMediaWiki:Sidebar2014-05-09T16:08:14Z<p>Fribhey: </p>
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<div>*TheGiant.Org<br />
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** http://www.asmallorange.com/extras/donate/?id=10186|Donations + Tips</div>Fribheyhttp://thegiant.org/wiki/index.php/MediaWiki:SidebarMediaWiki:Sidebar2014-05-09T16:05:30Z<p>Fribhey: </p>
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<div>*TheGiant.Org<br />
**Main_Page|Main Page<br />
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** http://www.asmallorange.com/extras/donate/?id=10186|Donations + Tips</div>Fribheyhttp://thegiant.org/wiki/index.php/Cost_of_ExpressionCost of Expression2014-05-09T03:03:57Z<p>Fribhey: Cost of Expression moved to Ai Weiwei: Cost of Expression: Title change</p>
<hr />
<div>#REDIRECT [[Ai Weiwei: Cost of Expression]]</div>Fribheyhttp://thegiant.org/wiki/index.php/Ai_Weiwei:_Cost_of_ExpressionAi Weiwei: Cost of Expression2014-05-09T03:03:57Z<p>Fribhey: Cost of Expression moved to Ai Weiwei: Cost of Expression: Title change</p>
<hr />
<div>{{Print | AiWeiWei.jpg | Ai Weiwei: Cost of Expression | 2014 | 375 | ''none'' | 18x24 | Speckletone paper | Screen Print |From [http://www.obeygiant.com Obeygiant.com] and [https://www.brooklynmuseum.org/exhibitions/ai_weiwei/ The Brooklyn Museum]:<br />
<br />
AI WEIWEI X COST OF EXPRESSION PRINT<br />
<br />
This coming Tuesday, April 8th, the Ai Weiwei, Cost of Expression, print created by Shepard Fairey will be for sale on our website. The Cost of Expression print will be available as a limited edition of 375. Check back Tuesday between 1 and 2pm (PST)!<br />
<br />
“I admire Ai Weiwei for his art and his activism. His art is beautiful in form, and in function embodies the principles of populism and social consciousness I aspire to in my own practice. This poster is a tribute to Ai Weiwei’s art, his courage to be outspoken, and in support of his ongoing political struggle with the Chinese government. I hope the image will help raise awareness and advance dialogue that might lead to permission for Ai Weiwei to travel freely and continue to express himself.” – Shepard<br />
<br />
Shepard is donating 100 prints to support the Brooklyn Museum, which will present an Ai Weiwei retrospective exhibition, “Ai Weiwei: According to What?” from April 18 through August 10, 2014. Thanks to Pace Prints for their support.<br />
<br />
Cost of Expression<br />
Screen Print<br />
18 x 24<br />
Edition of 375<br />
2014<br />
$60<br />
Purchase limit of 1 per person / household.<br />
Release date: Tuesday April 8, 2014 at a random time between 1 and 2pm (PST) in PRINTS<br />
<br />
Project in collaboration with Friends of Ai Weiwei and Pace Prints<br />
Reference Photograph by Gao Yuan, 2010<br />
<br />
|| 04/08/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/YearYear2014-05-09T00:07:42Z<p>Fribhey: </p>
<hr />
<div>''To view art created within a specific year, click on that year.''<br />
*[[:Category:1989|1989]]<br />
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*[[:Category:2014|2014]]<br />
[[Category:TheGiant.Org]]</div>Fribheyhttp://thegiant.org/wiki/index.php/Power_and_Glory_IVPower and Glory IV2014-05-08T21:03:45Z<p>Fribhey: New page: {{Print | PowerGlory_04_PaulStolper.jpg | Power and Glory IV | 2014 | 75|Power And Glory Foil Block Print Set| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www...</p>
<hr />
<div>{{Print | PowerGlory_04_PaulStolper.jpg | Power and Glory IV | 2014 | 75|[[Power And Glory Foil Block Print Set]]| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
Power and Glory IV, 2014<br />
Silkscreen and gold foil block print on Somerset Tub sized 410gsm.<br />
Edition of 75. Edition 1 – 20 sold as complete set.<br />
Signed and numbered<br />
69.4 x 69.4 cm / 27.3 x 27.3 in<br />
<br />
<br />
|| 01/15/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Power_and_Glory_IIIPower and Glory III2014-05-08T21:03:08Z<p>Fribhey: New page: {{Print | PowerGlory_03_PaulStolper.jpg | Power and Glory III | 2014 | 75|Power And Glory Foil Block Print Set| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://ww...</p>
<hr />
<div>{{Print | PowerGlory_03_PaulStolper.jpg | Power and Glory III | 2014 | 75|[[Power And Glory Foil Block Print Set]]| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
Power and Glory III, 2014<br />
Silkscreen and gold foil block print on Somerset Tub sized 410gsm.<br />
Edition of 75. Edition 1 – 20 sold as complete set.<br />
Signed and numbered<br />
69.4 x 69.4 cm / 27.3 x 27.3 in<br />
<br />
<br />
|| 01/15/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Power_and_Glory_IIPower and Glory II2014-05-08T21:02:19Z<p>Fribhey: New page: {{Print | PowerGlory_02_PaulStolper.jpg | Power and Glory II | 2014 | 75|Power And Glory Foil Block Print Set| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www...</p>
<hr />
<div>{{Print | PowerGlory_02_PaulStolper.jpg | Power and Glory II | 2014 | 75|[[Power And Glory Foil Block Print Set]]| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
Power and Glory II, 2014<br />
Silkscreen and gold foil block print on Somerset Tub sized 410gsm.<br />
Edition of 75. Edition 1 – 20 sold as complete set.<br />
Signed and numbered<br />
69.4 x 69.4 cm / 27.3 x 27.3 in<br />
<br />
<br />
|| 01/15/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Power_and_Glory_IPower and Glory I2014-05-08T21:01:47Z<p>Fribhey: </p>
<hr />
<div>{{Print | PowerGlory_01_PaulStolper.jpg | Power and Glory I | 2014 | 75|[[Power And Glory Foil Block Print Set]]| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
Power and Glory I, 2014<br />
Silkscreen and gold foil block print on Somerset Tub sized 410gsm.<br />
Edition of 75. Edition 1 – 20 sold as complete set.<br />
Signed and numbered<br />
69.4 x 69.4 cm / 27.3 x 27.3 in<br />
<br />
<br />
|| 01/15/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/Power_and_Glory_IPower and Glory I2014-05-08T21:00:24Z<p>Fribhey: New page: {{Print | PowerGlory_01_PaulStolper.jpg | Power and Glory I | 2014 | 75|Power And Glory Foil Block Print Set| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obey...</p>
<hr />
<div>{{Print | PowerGlory_01_PaulStolper.jpg | Power and Glory I | 2014 | 75|Power And Glory Foil Block Print Set| 27.3x27.3 |Somerset Tub sized 410gsm | Foil Block Print |From [http://www.obeygiant.com Obeygiant.com]:<br />
<br />
POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
Power and Glory I, 2014<br />
Silkscreen and gold foil block print on Somerset Tub sized 410gsm.<br />
Edition of 75. Edition 1 – 20 sold as complete set.<br />
Signed and numbered<br />
69.4 x 69.4 cm / 27.3 x 27.3 in<br />
<br />
<br />
|| 01/15/2014|}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:PowerGlory_04_PaulStolper.jpgFile:PowerGlory 04 PaulStolper.jpg2014-05-08T20:55:28Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/File:PowerGlory_01_PaulStolper.jpgFile:PowerGlory 01 PaulStolper.jpg2014-05-08T20:55:21Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/File:PowerGlory_03_PaulStolper.jpgFile:PowerGlory 03 PaulStolper.jpg2014-05-08T20:55:12Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/File:PowerGlory_02_PaulStolper.jpgFile:PowerGlory 02 PaulStolper.jpg2014-05-08T20:55:02Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/Power_And_Glory_Foil_Block_Print_SetPower And Glory Foil Block Print Set2014-05-08T20:54:30Z<p>Fribhey: New page: {{PrintSet | PowerGlory_set.jpg | Power And Glory Foil Block Print Set | 2014| 75 (1-20 sold as set)| 27.3x27.3 | Somerset Tub sized 410gsm|Foil Block Print|POWER AND GLORY FOIL BLOCK PRIN...</p>
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<div>{{PrintSet | PowerGlory_set.jpg | Power And Glory Foil Block Print Set | 2014| 75 (1-20 sold as set)| 27.3x27.3 | Somerset Tub sized 410gsm|Foil Block Print|POWER AND GLORY FOIL BLOCK PRINTS<br />
<br />
<br />
Shepard Fairey and Paul Stolper Gallery have collaborated once again to launch four new silkscreen and foil block prints titled ‘Power and Glory’. This is the first time Shepard has used foil-blocking. The prints will be exhibited at the LA Art Show from January 15 – 19, 2014 (Booth 622). Please note that a limited number of prints will be available for collection from the LA Art Show, the remainder of the prints are in fabrication and will be ready in early March.<br />
<br />
The Paul Stolper gallery is proud to announce the launch of a group of four new screen prints with foil-block by internationally renowned LA based artist Shepard Fairey. Entitled ‘Power and Glory’ this is the third project the gallery has worked on with Fairey, The set of four new works continue the artist’s investigation into contemporary America.<br />
<br />
The genesis for each print is the American Flag, an iconic and potent image that artists such as Jasper Johns’s ‘Flag’ (1954) and Peter Blake’s ‘Old Glory’ (2011) have explored as has Joe Rosenthal’s ‘Raising the Flag on Iwo Jima’ (1945) in photography. Celebrated, revered, abused, and even burnt the US flag constantly invokes passion on a grand scale. Serving initially as the ‘marking of American territory’, Adam Goodheart, Prologue of ‘1861: The Civil War Awakening’, it has now also become the calling card of the biggest consumer society in the world. Its popularity and consequently its Pop Art qualities have not been lost on Fairey who understands but also questions its ubiquitous presence. Much like advertising the incessant flying of the flag outside homes, stores, and businesses has turned it into a corporate brand identity that Fairey subverts both stylistically and conceptually.<br />
<br />
As the design of the US flag, over time, has developed to incorporate more States, so Fairey has graphically dissected the ‘Stars and Stripes’, and re-configured them into a completely new design, where the single star is the dominant central motif surrounded by seven stripes. Fairey hijacks the solitary star inserting the Obey motif, itself an international logo that questions authority. This Trojan horse effect of drawing the viewer in to the image through the use of design and colour to then spit back questions of allegiance and ownership are key to Fairey’s work, much like Jamie Reid inserting a safety-pin into the lip of the Queen. The set could just as easily have been titled ‘Whose Power and Whose Glory?’, since the piece is equal parts celebratory and cautionary because one person’s American dream is another person’s American nightmare.<br />
<br />
In ‘Power and Glory’ the richness of design is heightened by Fairey’s use, for the first time, of foil-blocking, a method whereby a metallic sheet is debossed onto the sheet of paper, using a metal etched plate, and printed after the silk screening process. The effect very cleverly mimicking the delicate design of scroll-work found on US monetary notes.<br />
<br />
They are available for pre-order now at the launch price:<br />
£1000 inc vat / $1500 inc CA sales tax for each print<br />
£3,600 inc vat / $5,400 inc CA sales tax for the set of 4 prints.<br />
Prices are exclusive of shipping, framing and are subject to change without notification.}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:PowerGlory_set.jpgFile:PowerGlory set.jpg2014-05-08T20:53:22Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/2013_Gift_Print2013 Gift Print2014-05-08T20:19:31Z<p>Fribhey: New page: {{Print | 2013-holiday.jpg | 2013 Gift Print | 2013 | 750 | ''none'' | 18x24 | Speckletone paper | Screen Print | This prints was sent out as a holiday gift to friends and business partner...</p>
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<div>{{Print | 2013-holiday.jpg | 2013 Gift Print | 2013 | 750 | ''none'' | 18x24 | Speckletone paper | Screen Print |<br />
This prints was sent out as a holiday gift to friends and business partners of Obey Giant in 2013.<br />
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|||}}</div>Fribheyhttp://thegiant.org/wiki/index.php/File:2013-holiday.jpgFile:2013-holiday.jpg2014-05-08T20:18:16Z<p>Fribhey: </p>
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<div></div>Fribheyhttp://thegiant.org/wiki/index.php/50_Shades_Of_Black_Box_Set50 Shades Of Black Box Set2014-05-08T20:13:03Z<p>Fribhey: New page: {{PrintSet | 50-SHADES-BOX-WHOLE.jpg | 50 Shades Of Black Box Set | 2014| 200| 12x12| Speckletone paper| Screen Print|50 SHADES OF BLACK BOX SET Shepard Fairey has created a limited edit...</p>
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<div>{{PrintSet | 50-SHADES-BOX-WHOLE.jpg | 50 Shades Of Black Box Set | 2014| 200| 12x12| Speckletone paper| Screen Print|50 SHADES OF BLACK BOX SET<br />
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Shepard Fairey has created a limited edition box set with screen prints of each of his 50 new album cover designs inspired by the 12-inch record cover format. The 50 Shades of Black box set is the largest number of images to date and is a work of art itself! Each box set is a limited edition of 200 and includes 50 signed and numbered screen prints of all new album cover designs, as well as an album cover stencil, an LP sticker sheet, and a certificate of authenticity. The box is hand made and features the Sound and Vision LP graphic on the cover presented in gold foil stamping with embossed highlighting throughout.<br />
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The box sets will be available on the OBEY website on Thursday, April 24; Two releases are scheduled for 10 am and 3pm PST.<br />
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<br />
50 Shades of Black Box Set<br />
Edition of 200<br />
Signed and Numbered<br />
Box – 13 x13 x 2 inches<br />
Print editions – 12 x 12 inches<br />
2014<br />
$1,100<br />
<br />
Music has taught me a great deal about connecting with a broad audience. Music is universal. I’ve had some very moving encounters with art in my life, especially in the street, but almost nothing can compare to the first time I heard the boots marching and first chord of the Sex Pistols’ “Holidays in the Sun”, or the air raid sirens leading into “too black, too strong” on the intro to Public Enemy’s It Takes A Nation of Millions to Hold Us Back, or the opening guitar scream of Black Flag’s “Rise Above.” Music is visceral, but also has the additional powerful layers of the lyrics, with their content and politics, and then there’s also the style and personalities of the musicians themselves. Compelling album covers have always been a great complement to great music. There’s something subversive about bundling seductive visuals with provocative ideas, or provocative visuals with seductive ideas. An audience that’s looking for escape doesn’t expect a confrontation and a call to action, but I believe the best music, and the best art, can deliver both. Call the approach hi-brow/lo-fi or lo-brow/hi-fi, but I try to use it in my artwork to capture the same energy and spirit that makes music so powerful.<br />
- Shepard Fairey|}}</div>Fribhey